Pentecost

Hand colored stencil print on washi by Sadao Watanabe (1969).

Image taken with permission from the SadaoHanga Catalogue where you can find many more images and information about Sadao Watanabe. For other images of Sadao Watanabe art works in TIPs, see here.

The following is the image “Pentecost” by Sister Marie Claire , SMMI (1937–2018) from Bengaluru, India:

Taken from the Global Christian Worship blog.

Following is a 1973 painting of the JESUS MAFA project, a response to New Testament readings from the Lectionary by a Christian community in Cameroon, Africa. Each of the readings was selected and adapted to dramatic interpretation by the community members. Photographs of their interpretations were made, and these were then transcribed to paintings:

The exuberant expression of joy in this depiction represents the Acts story, including Mary and the women mentioned in Acts, Chapter 1. Pentecost was originally an ancient Hebrew time of thanksgiving celebration for the first grain harvest, as recorded in Leviticus. The new significance given to this day by the gospel writers and early Christians extends that joyful expression to the new “filling up” by the Holy Spirit.

Source: Art in the Christian Tradition , a project of the Vanderbilt Divinity Library, Nashville, TN. Image retrieved March 23, 2026. Original source: librairie-emmanuel.fr.

The following is a 2003 stained glass window by Ronald Kraut from the Our Lady Of Pentecost Church, Quezon City, Philippines:

Source: Art in the Christian Tradition , a project of the Vanderbilt University Divinity Library, Nashville, TN. Original source: Wikimedia

Stained glass is not just highly decorative, it’s a medium which has been used to express important religious messages for centuries. Literacy was not widespread in the medieval and Renaissance periods and the Church used stained glass and other artworks to teach the central beliefs of Christianity. In Gothic churches, the windows were filled with extensive narrative scenes in stained glass — like huge and colorful picture storybooks — in which worshipers could ‘read’ the stories of Christ and the saints and learn what was required for their religious salvation. (Source: Victoria and Albert Museum )

Parable of the Great Banquet

The following artwork is part of a series of 56 paintings on biblical themes by Kazakh artist Nelly Bube (born 1949):

Copyright by Norwegian Bible Society , used with permission.

For other images of Nelly Bube in TIPs, see here.

Following is a 1973 painting of the JESUS MAFA project, a response to New Testament readings from the Lectionary by a Christian community in Cameroon, Africa. Each of the readings was selected and adapted to dramatic interpretation by the community members. Photographs of their interpretations were made, and these were then transcribed to paintings:

In this painting, we see a generous, wealthy host, choosing to hold a feast for the poor. A large group of disenfranchised people are gathered together eating, talking, and enjoying one another’s company. The faces of the host and all his guests show expressions of joy and gratitude. This scene reveals a community who took Jesus’ instructions from Luke 14:13 seriously: “But when you give a banquet, invite the poor, the crippled, the lame, and the blind.” Followers of Jesus are to remain humble, expecting nothing in return for the Christ-like love we are called to share with the world.

From Art in the Christian Tradition , a project of the Vanderbilt Divinity Library, Nashville, TN. Image retrieved March 23, 2026. Original source: librairie-emmanuel.fr.

The woman caught in adultery

He Qi © 2021 All Rights Reserved.

Image taken from He Qi Art . For purchasing prints of this and other artworks by He Qi go to heqiart.com . For other images of He Qi art works in TIPs, see here.

Following is a painting by Kim Ki-chang (1913-2001):

Kim Ki-chang (pen name: Unbo) had been deaf and partially mute since the age of 7. He painted a series of 30 paintings for the “Life of Christ” cycle in 1952 during the Korean War. Kim portrayed Jesus as a seonbi / 선비, or a Joseon Period (1392-1910) gentleman scholar, wearing a gat / 갓 (hat) and dopo / 도포 (robe). For other images of Kim Ki-chang art works in TIPs, see here.

Following is a 1973 painting of the JESUS MAFA project, a response to New Testament readings from the Lectionary by a Christian community in Cameroon, Africa. Each of the readings was selected and adapted to dramatic interpretation by the community members. Photographs of their interpretations were made, and these were then transcribed to paintings:

From Art in the Christian Tradition , a project of the Vanderbilt Divinity Library, Nashville, TN. Image retrieved March 23, 2026. Original source: librairie-emmanuel.fr.

Learn more on Bible Odyssey: The Woman Caught in Adultery .

Healing of the Ten Lepers

Following is a 1973 painting of the JESUS MAFA project, a response to New Testament readings from the Lectionary by a Christian community in Cameroon, Africa. Each of the readings was selected and adapted to dramatic interpretation by the community members. Photographs of their interpretations were made, and these were then transcribed to paintings:

This beautiful rendering of the healing of the ten lepers sets the tone as one of joyous celebration. Jesus has just restored the health of ten people and only one has returned in thanksgiving, but this fact from the story does not impact the painting negatively. The one has knelt before Jesus to offer his gratitude while the other nine rejoice in the background. The piece is dynamic as we see arms thrown in the air in elation while onlookers are also rejoicing at this miracle. The smiling faces in this painting are contagious as the viewer can join in applause and praise of God for such wonderful works.

From Art in the Christian Tradition , a project of the Vanderbilt Divinity Library, Nashville, TN. Image retrieved March 23, 2026. Original source: librairie-emmanuel.fr.

Feeding of the Five Thousand

1936 painting by Wang Suda 王肅達 (1910-1963),
Housed in the Société des Auxiliaires des Missions Collection – Whitworth University
(click image to enlarge)

Image taken from Chinese Christian Posters . For more information on the “Ars Sacra Pekinensis” school of art, see this article , for other artworks of that school in TIPs, see here.

Following is a 1973 painting of the JESUS MAFA project, a response to New Testament readings from the Lectionary by a Christian community in Cameroon, Africa. Each of the readings was selected and adapted to dramatic interpretation by the community members. Photographs of their interpretations were made, and these were then transcribed to paintings:

Jesus stands in the center inspecting the baskets of leftover food the disciples are bringing to him. All around him are content crowds of people who have just been fed. The miracle of this story rests in Jesus’ taking the resources people shared and breaking (read dividing) them among all in attendance that day. Christians are called to live and follow Christ in his example—this means sharing what we have with those around us, especially those in need. In this world, there is plenty to go around. Rather than projecting a gospel of prosperity, we should radiate a gospel of giving.

From Art in the Christian Tradition , a project of the Vanderbilt Divinity Library, Nashville, TN. Image retrieved March 23, 2026. Original source: librairie-emmanuel.fr.

Religious leaders sought him out to find answers to life's deepest questions

“It is unusual for anyone to seek out another at night unless it is desired to be kept secret. Betel nut and condiments are laid out to welcome the guest even at the late hour. Nicodemus’s robe and bared shoulder show he is a religious devotee.”

Drawing by Sawai Chinnawong who employs northern and central Thailand’s popular distinctive artistic style originally used to depict Buddhist moral principles and other religious themes; explanation by Paul DeNeui. From That Man Who Came to Save Us by Sawai Chinnawong and Paul H. DeNeui, William Carey Library, 2010.

For more images by Sawai Chinnawong in TIPs see here.

The following 1973 painting “Nicodemus” of the JESUS MAFA project is a response to New Testament readings from the Lectionary by a Christian community in Cameroon, Africa. Each of the readings was selected and adapted to dramatic interpretation by the community members. Photographs of their interpretations were made, and these were then transcribed to paintings:

Here we see Jesus patiently teaching about the kingdom of God to a perplexed Nicodemus, whose hands are in a gesture of questioning. Nicodemus has, like so many before and since, gotten caught up in the literal and limited understanding of the scriptures. Jesus attempted to explain the nature of reality in different terms that thereby he (and we) might be transformed. The boundaries we place on ourselves can be escaped if only we are brave enough to venture beyond them. Shall we remain in the cover of night with Nicodemus or step into the light that Jesus offers?

From Art in the Christian Tradition , a project of the Vanderbilt Divinity Library, Nashville, TN. Image retrieved March 23, 2026. Original source: librairie-emmanuel.fr.

The Unforgiving Servant

Following is a 1973 painting of the JESUS MAFA project, a response to New Testament readings from the Lectionary by a Christian community in Cameroon, Africa. Each of the readings was selected and adapted to dramatic interpretation by the community members. Photographs of their interpretations were made, and these were then transcribed to paintings:

From Art in the Christian Tradition , a project of the Vanderbilt Divinity Library, Nashville, TN. Image retrieved March 23, 2026. Original source: librairie-emmanuel.fr.

The Parable of the Rich Fool

The following is a stained glass window depicting The Parable of the Rich Fool by Arthur J. Dix, 1898. From St John’s church, Bowness-on-Windermere, England:

Hosted by Wikimedia Commons under a Creative Commons CC0 1.0 Universal Public Domain Dedication

Stained glass is not just highly decorative, it’s a medium which has been used to express important religious messages for centuries. Literacy was not widespread in the medieval and Renaissance periods and the Church used stained glass and other artworks to teach the central beliefs of Christianity. In Gothic churches, the windows were filled with extensive narrative scenes in stained glass — like huge and colorful picture storybooks — in which worshipers could ‘read’ the stories of Christ and the saints and learn what was required for their religious salvation. (Source: Victoria and Albert Museum )

Following is a 1973 painting of the JESUS MAFA project, a response to New Testament readings from the Lectionary by a Christian community in Cameroon, Africa. Each of the readings was selected and adapted to dramatic interpretation by the community members. Photographs of their interpretations were made, and these were then transcribed to paintings:

From Art in the Christian Tradition , a project of the Vanderbilt Divinity Library, Nashville, TN. Image retrieved March 23, 2026. Original source: librairie-emmanuel.fr.