He appears to seekers and opens their hearts (image)

“When Jesus raises a cup of water, the two followers suddenly recognize who he is. The water container in the front is northern Thai style. Water is drunk at the end of the meal in Thailand. Water is also a symbol of life.”

Drawing by Sawai Chinnawong who employs northern and central Thailand’s popular distinctive artistic style originally used to depict Buddhist moral principles and other religious themes; explanation by Paul DeNeui. From That Man Who Came to Save Us by Sawai Chinnawong and Paul H. DeNeui, William Carey Library, 2010.

For more images by Sawai Chinnawong in TIPs see here.

Come and see that he is alive (image)

“Jesus allows himself to be touched by all. This picture shows a selection of all types of people from various regions and even a foreigner.”

Drawing by Sawai Chinnawong who employs northern and central Thailand’s popular distinctive artistic style originally used to depict Buddhist moral principles and other religious themes; explanation by Paul DeNeui. From That Man Who Came to Save Us by Sawai Chinnawong and Paul H. DeNeui, William Carey Library, 2010.

For more images by Sawai Chinnawong in TIPs see here.

See also Thomas with the risen Christ (image).

He gave freedom to those in bondage of evil (image)

“In Thai society, those who are possessed by evil spirits are usually the weak or mentally unstable. This man is shown as freed from his spiritual and physical chains. Even though he is naked Jesus is not ashamed to be close to him.”

Drawing by Sawai Chinnawong who employs northern and central Thailand’s popular distinctive artistic style originally used to depict Buddhist moral principles and other religious themes; explanation by Paul DeNeui. From That Man Who Came to Save Us by Sawai Chinnawong and Paul H. DeNeui, William Carey Library, 2010.

For more images by Sawai Chinnawong in TIPs see here.

Religious leaders sought him out to find answers to life's deepest questions

“It is unusual for anyone to seek out another at night unless it is desired to be kept secret. Betel nut and condiments are laid out to welcome the guest even at the late hour. Nicodemus’s robe and bared shoulder show he is a religious devotee.”

Drawing by Sawai Chinnawong who employs northern and central Thailand’s popular distinctive artistic style originally used to depict Buddhist moral principles and other religious themes; explanation by Paul DeNeui. From That Man Who Came to Save Us by Sawai Chinnawong and Paul H. DeNeui, William Carey Library, 2010.

For more images by Sawai Chinnawong in TIPs see here.

The following 1973 painting “Nicodemus” of the JESUS MAFA project is a response to New Testament readings from the Lectionary by a Christian community in Cameroon, Africa. Each of the readings was selected and adapted to dramatic interpretation by the community members. Photographs of their interpretations were made, and these were then transcribed to paintings:

Here we see Jesus patiently teaching about the kingdom of God to a perplexed Nicodemus, whose hands are in a gesture of questioning. Nicodemus has, like so many before and since, gotten caught up in the literal and limited understanding of the scriptures. Jesus attempted to explain the nature of reality in different terms that thereby he (and we) might be transformed. The boundaries we place on ourselves can be escaped if only we are brave enough to venture beyond them. Shall we remain in the cover of night with Nicodemus or step into the light that Jesus offers?

From Art in the Christian Tradition , a project of the Vanderbilt Divinity Library, Nashville, TN. Image retrieved March 23, 2026. Original source: librairie-emmanuel.fr.

He deliberately took time to draw near to social outcasts (image)

“Jesus is dressed in a different style of clothing than the style of the woman who is shown as a Lanna Thai northerner. It is unusual for him to talk to a person from a different region, especially a woman. The clothes, the roof of the house in the background, and the dipper for water all indicate that this is in northern Thailand.”

Drawing by Sawai Chinnawong who employs northern and central Thailand’s popular distinctive artistic style originally used to depict Buddhist moral principles and other religious themes; explanation by Paul DeNeui. From That Man Who Came to Save Us by Sawai Chinnawong and Paul H. DeNeui, William Carey Library, 2010. . For more images by Sawai Chinnawong in TIPs see here.

See also The woman at the well (image).

Learn more on Bible Odyssey: Woman at the Well .