Saved from first danger he developed in body and spirit - pleasing to God and people (image)

“The shaded area under the second floor of the house is where the activities of home take place. Here, the young child and his mother are modeling clay water buffalo.”

Drawing by Sawai Chinnawong who employs northern and central Thailand’s popular distinctive artistic style originally used to depict Buddhist moral principles and other religious themes; explanation by Paul DeNeui. From That Man Who Came to Save Us by Sawai Chinnawong and Paul H. DeNeui, William Carey Library, 2010.

For more images by Sawai Chinnawong in TIPs see here.

He gave sight to the physically and spiritually blind (image)

“In the religious cultures of Asia, it is often believed that people are blind because of their past karma. The blind often resort to begging in order to survive. Here the blind man stretches out his arms in a polite way to receive a donation but instead he connects with a healing touch. The onlookers are shocked to see Jesus making physical connection with a lowly beggar with bad karma.”

Drawing by Sawai Chinnawong who employs northern and central Thailand’s popular distinctive artistic style originally used to depict Buddhist moral principles and other religious themes; explanation by Paul DeNeui. From That Man Who Came to Save Us by Sawai Chinnawong and Paul H. DeNeui, William Carey Library, 2010.

For more images by Sawai Chinnawong in TIPs see here.

Learn more on Bible Odyssey: Divine Power in Mark 8 .

As a youth he had wisdom that surpassed that of his elders (image)

“The elders are both religious and political as indicated by their clothing. Thai scripture is written on folded palm leaf manuscripts and raised on small tables. The object in the bowl is used for ceremonial purposes. The boy’s hair will be cut at age twelve when, according to Thai tradition, he becomes a complete person. This makes his young wisdom all the more amazing.”

Drawing by Sawai Chinnawong who employs northern and central Thailand’s popular distinctive artistic style originally used to depict Buddhist moral principles and other religious themes; explanation by Paul DeNeui. From That Man Who Came to Save Us by Sawai Chinnawong and Paul H. DeNeui, William Carey Library, 2010.

For more images by Sawai Chinnawong in TIPs see here.

When he grew up he worked as a carpenter until the age of thirty (image)

“Carpenters are considered skilled craftsman who do detailed work. Here, Jesus is making a wooden spindle on which his mother will spin silk thread.”

Drawing by Sawai Chinnawong who employs northern and central Thailand’s popular distinctive artistic style originally used to depict Buddhist moral principles and other religious themes; explanation by Paul DeNeui. From That Man Who Came to Save Us by Sawai Chinnawong and Paul H. DeNeui, William Carey Library, 2010.

For more images by Sawai Chinnawong in TIPs see here.

He was betrayed by a close friend who loved money more than the way of the truth (image)

“This picture indicates that corruption takes place even in temples and even among the religious.”

Drawing by Sawai Chinnawong who employs northern and central Thailand’s popular distinctive artistic style originally used to depict Buddhist moral principles and other religious themes; explanation by Paul DeNeui. From That Man Who Came to Save Us by Sawai Chinnawong and Paul H. DeNeui, William Carey Library, 2010.

For more images by Sawai Chinnawong in TIPs see here.

People from his home town rejected him because they could not accept who he claimed to be (image)

“Only qualified, trained leaders know the dharma (truth) yet Jesus made claims that threatened the establishment. He is being chased out of the temple because his people thought him merely a carpenter. They intended to throw him down the cliff but he just passed by.”

Drawing by Sawai Chinnawong who employs northern and central Thailand’s popular distinctive artistic style originally used to depict Buddhist moral principles and other religious themes; explanation by Paul DeNeui. From That Man Who Came to Save Us by Sawai Chinnawong and Paul H. DeNeui, William Carey Library, 2010.

For more images by Sawai Chinnawong in TIPs see here.

In righteous anger he attacked hypocrisy (image)

“Jesus is doing something extremely dangerous here. The Thai temple is a place in which it is considered by religious people inappropriate to show any anger or strong emotions. It has to be an extremely urgent reason for someone to do something as violent as this in such a sacred space.”

Drawing by Sawai Chinnawong who employs northern and central Thailand’s popular distinctive artistic style originally used to depict Buddhist moral principles and other religious themes; explanation by Paul DeNeui. From That Man Who Came to Save Us by Sawai Chinnawong and Paul H. DeNeui, William Carey Library, 2010.

For more images by Sawai Chinnawong in TIPs see here.

Jesus Carries His Cross

“Here are all the types of people who followed Jesus: men and women, rich and poor, religious and nonreligious. Their reactions are mixed.”

Drawing by Sawai Chinnawong who employs northern and central Thailand’s popular distinctive artistic style originally used to depict Buddhist moral principles and other religious themes; explanation by Paul DeNeui. From That Man Who Came to Save Us by Sawai Chinnawong and Paul H. DeNeui, William Carey Library, 2010. For more images by Sawai Chinnawong in TIPs see here.

The following is a stained glass window from the Three choir windows in the Marienkirche, Frankfurt (Oder), Germany, of the 14th century:

Source: Der gläserne Schatz: Die Bilderbibel der St. Marienkirche in Frankfurt (Oder), Neuer Berlin Verlag, 2005, copyright for this image: Brandenburgisches Landesamt für Denkmalpflege und Archäologisches Landesmuseum

Stained glass is not just highly decorative, it’s a medium which has been used to express important religious messages for centuries. Literacy was not widespread in the medieval and Renaissance periods and the Church used stained glass and other artworks to teach the central beliefs of Christianity. In Gothic churches, the windows were filled with extensive narrative scenes in stained glass — like huge and colorful picture storybooks — in which worshipers could ‘read’ the stories of Christ and the saints and learn what was required for their religious salvation. (Source: Victoria and Albert Museum )

See also other stained glass windows from the Marienkirche in Frankfurt.