Hand colored stencil print on momigami by Sadao Watanabe (1979).
Image taken with permission from the SadaoHanga Catalogue where you can find many more images and information about Sadao Watanabe. For other images of Sadao Watanabe art works in TIPs, see here.
The following artwork “Ten Virgins” is by Nyoman Darsane (1939-2024):
Nyoman Darsane was born and raised as a Hindu. Like many Balinese rice farmers, his father was also a musician who played in the orchestra of the local ruler. Darsane was brought up together with one of the princes and educated in the palace. That provided him with a deep knowledge of Hindu-Balinese religion and culture. It paved the way for him to become not only a painter but also a musician, dancer, and puppet player. An academic training at the college in Semarang, Java, finally made him familiar with the Western tradition as well. His early paintings are reminiscent of Gauguin, van Gogh, and Nolde. Darsane thus belongs to the heterogeneous group of the so-called academicians, those artists who have studied at one of the country’s art colleges. Although they are experimenting with Western influences in style, they have continuously been searching for their own Balinese identity. In Darsane’s case a special emphasis adds to this search: since he converted to Christianity he has been trying to mold this religion into a Balinese form.
Darsane was supported by the Bishop Wayan Mastra (b. 1931), who theologically comes from a more evangelical background. As a tiny minority among the Hindu-Balinese people, the Bali Church embraced inculturation. Churches are built in traditional Balinese temple style and local artists have been asked to design the decoration of the buildings. Balinese music and dance are used in the liturgy and the impact of these cultural traditionscan be seen in Darsane’s paintings.
As a result of his conversion at the age of seventeen, Darsane had been excluded from his family and ostracized by his village community. The Hindu-Balinese religion originated from the encounter between Hinduism and Balinese tribal religions, and it still has many features of this primal religion. Religion and community are closely intertwined; whoever turns away from the common religion also renounces the solidarity of the community. Darsane’s constant effort to give Christianity a Balinese shape finally convinced his family and the community that he stilt is one of them. Today he is again well respected and his advice even in religious matters is highly appreciated. (Source: Volker Küster in Pongracz / Küster / Cook 2007, p. 34; image: p. 113)