
Image taken from the Wiedmann Bible. For more information about the images and ways to adopt them, see here .
For other images of Willy Wiedmann paintings in TIPs, see here.
Ἔλεγεν δὲ πρὸς πάντας, Εἴ τις θέλει ὀπίσω μου ἔρχεσθαι, ἀρνησάσθω ἑαυτὸν καὶ ἀράτω τὸν σταυρὸν αὐτοῦ καθ᾽ ἡμέραν καὶ ἀκολουθείτω μοι.
23Then he said to them all, “If any wish to come after me, let them deny themselves and take up their cross daily and follow me.
The Greek that is translated as “take up their cross” in English is translated in Galela as “let go of each of their desires in their hearts” (source: Howard Shelden in Kroneman 2004, p. 501).
In Korku it is translated as “take up trouble for me to the extent that he would be ready to give his life on the cross for me,” and in Chipaya as “be ready to suffer, even die.” (Source: B. Moore / G. Turner in Notes on Translation 1967, p. 1ff.)
In the German New Testament translation by Berger / Nord (publ. 1999) it is translated as with Kreuz und Schande auf sich nehmen or “take up the cross and shame.”
See also cross (carry).
The Greek that is translated as “cross” in English is often referred to a visualization of the cross’ shape. In Mandarin Chinese and Japanese, for instance, it is translated as 十字架 (Chinese: shízìjià; Japanese: jūjika) — “10-character-frame” because the character for “10” has the shape of a cross) or in Ancient Greek manuscripts with the staurogram (⳨) a ligature of the Greek letters tau (Τ) and rho (Ρ) that was used to abbreviate stauros (σταυρός), the Greek word for cross, and may visually have represented Jesus on the cross.

Elsewhere it refers to the function, e.g. a newly coined term, like one made up of two Sanskrit words meaning “killing-pole” (Marathi NT revision of 1964), “wood to-stretch-out-with” (Toraja-Sa’dan), or “nailing pole” (Zarma). A combination of the two seems to be used in Balinese, which employs a word for the crossbeams in a house, derived from a verb that can refer both to a beam that stretches from side to side under a roof, and to a person stretched out for torture (source for this and above: Reiling / Swellengrebel). Similarly, in Lamba it is translated “with umutaliko — ‘a pole with a cross-piece, on which maize was normally tied’ from the verb ‘talika’ which, strangely enough, is used of ‘holding down a man with arms and legs stretched out, someone gripping each limb.'” (Source C. M. Doke in The Bible Translator 1958, p. 57ff. ).
“In Mongolian, the term that is used is togonoltchi mott, which is found in the top of a tent. The people on the steppes live in round felt-yurts and the round opening on the top of the tent serves as a window. The crosswood in that opening is called togonoltchi mott. ‘Crucified’ is translated ‘nailed on the crosswood.’ This term is very simple, but deep and interesting too. Light comes to men through the Cross. What a privilege to be able to proclaim such a message.” (Source: A. W. Marthinson in The Bible Translator 1954, p. 74ff. )
In Mairasi it is translated as iwo nasin ae: “chest measurement wood.” “This term refers to the process of making a coffin when a person dies. The man making the coffin takes a piece of bamboo and measures the body from head to heel. He then breaks the stick off at the appropriate point. For the width he measures the shoulders and then ties the two sticks together in the shape of a cross. As he works, he continually measures to make sure the coffin is the correct size. At the gravesite, the coffin is lowered. Then the gravecloth, palm leaves, and finally the chest measurement stick are laid on top of the coffin before the dirt is piled on. This term is full of meaning, because it is in the shape of a cross, and each person will have one. The meaning is vividly associated with death.” (Source: Enggavoter, 2004)
In Lisu it is translated as ꓡꓯꓼ ꓐꓳ ꓔꓶꓸ DU — lä bo tɯ du: “a place to stretch the arms across” (source: Arrington 2020, p. 215), in Noongar as boorn-yambo: “crossed tree” (source: Warda-Kwabba Luke-Ang), in Yagaria as malipu yava or “cross-wood,” Alekano as “cross-wise tree,” in Kuman (PNG) as endi pirake or “vertical and horizontal beam” (source for this and two above: Renck 1990, p. 81), and in Tibetan as rgyangs shing (རྒྱངས་ཤིང་།), lit. “stretch + wood” (“translators have adopted the name of this traditional Tibetan instrument of torture to denote the object on which Jesus died”) (source: gSungrab website ).
The English translation of Ruden (2021) uses “stake.” She explains (p. xlv): “The cross was the perpendicular joining of two execution stakes, and the English word euphemistically emphasized the geometry: a cross could also be an abstract cross drawn on paper. The Greeks used their word for ‘stake,’ and this carries the imagery of what was done with it, as our ‘stake’ carries images of burning and impaling. ‘Hang on the stakes’ for ‘crucify’ is my habitual usage.”
See also crucify, cross (carry), and this devotion on YouVersion .
The Greek that is translated as “come after me” or “follow me” in English is translated in Guhu-Samane as “will tie my back.”
“Come after” caused “puzzlement [because] since to ‘come after’ means either to ‘follow’ or ‘chase’, and since the context has symbolic talk, it probably means to ‘follow’ but who can say? [But the idiom] ‘whoever will tie my back’ pictures people who, as they travel in the dark night, tie a rope from the leader to the ones following so they will not lose the trail or fall from a cliff, and although not all see the original implications, it is graphic.”
Source: Ernest L. Richert in Notes on Translation December 1963: p. 4-7; reprinted in The Bible Translator 1965, p. 198ff. .
Following are a number of back-translations of Luke 9:23:
Like a number of other East Asian languages, Japanese uses a complex system of honorifics, i.e. a system where a number of different levels of politeness are expressed in language via words, word forms or grammatical constructs. These can range from addressing someone or referring to someone with contempt (very informal) to expressing the highest level of reference (as used in addressing or referring to God) or any number of levels in-between.
One way Japanese shows different degree of politeness is through the choice of a first person singular and plural pronoun (“I” and “we” and its various forms) as shown here in the widely-used Japanese Shinkaiyaku (新改訳) Bible of 2017. The most commonly used watashi/watakushi (私) is typically used when the speaker is humble and asking for help. In these verses, where God / Jesus is referring to himself, watashi is also used but instead of the kanji writing system (私) the syllabary hiragana (わたし) is used to distinguish God from others.
(Source: S. E. Doi, see also S. E. Doi in Journal of Translation, 18/2022, p. 37ff. )
See also pronoun for “God”.
Like a number of other East Asian languages, Japanese uses a complex system of honorifics, i.e. a system where a number of different levels of politeness are expressed in language via words, word forms or grammatical constructs. These can range from addressing someone or referring to someone with contempt (very informal) to expressing the highest level of reference (as used in addressing or referring to God) or any number of levels in-between.
One way Japanese shows different degree of politeness is through the usage of an honorific construction where the morpheme are (され) is affixed on the verb as shown here in the widely-used Japanese Shinkaiyaku (新改訳) Bible of 2017. This is particularly done with verbs that have God as the agent to show a deep sense of reverence. Here, iw-are-ru (言われる) or “say” is used.
(Source: S. E. Doi, see also S. E. Doi in Journal of Translation, 18/2022, p. 37ff. )
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