Pantokrator

The Ancient Greek Septuagint translation of the Hebrew Bible used the word pantokrator (παντοκράτωρ) or “Ruler of All” as a translation of the second part of the Hebrew term YHWH Tz’vaót (יְהוָ֨ה צְבָא֜וֹת) or “Lord of hosts” (see here) and occasionally ʼĒl Šadạy (אֵל שַׁדַּי‎), translated in English commonly as “God Almighty.” In the deuterocanonical/apocryphal books, pantokrator might have also been used in the original writing. The New Testament uses it one time in the writings of Paul (2 Cor. 6:18) and several times in the book of Revelation (see esp. Rev. 1:8).

One of the most influential icon styles of the Orthodox church has developed from this concept: Christ Pantocrator. In this icon style, Christ is looking straight at the viewer, his right hand is typically spelling a short form of “Jesus Christ” (see the bottom of the entry on Jesus and icons for an explanation), and his left hand holds a New Testament. His head is often surrounded by a halo.

The earliest preserved icon is found in the Greek Orthodox Saint Catherine’s Monastery on Mount Sinai from the 6th century:

In order to express the two natures of Christ, the two sides of the face are not symmetrical. The right side might represent the qualities of his divinity, while his left side represents human nature. (Source )

Orthodox icons are not drawings or creations of imagination. They are in fact writings of things not of this world. Icons can represent our Lord Jesus Christ, the Virgin Mary, and the Saints. They can also represent the Holy Trinity, Angels, the Heavenly hosts, and even events. Orthodox icons, unlike Western pictures, change the perspective and form of the image so that it is not naturalistic. This is done so that we can look beyond appearances of the world, and instead look to the spiritual truth of the holy person or event. (Source )

“Almighty” is translated in Newari as “the strongest of all” (source: Newari Back Translation) and in the English Job translation by E.L. Greenstein (2019) as name: “Shaddai.”

See also LORD of hosts.

shiny

In Gbaya, the notion of something that shines dazzingly is emphasized in the referenced verses with the ideophones zar-zar or bar-bar.

In Job 28:17, it refers to the glass, in Lamentations 4:1 it is used in a negated form (“grown dim”), and in Luke 23:11 it refers to “elegant robe” (which is translated as “bright clothing” [vêtement éclatant] in the French Traduction œcuménique de la Bible).

Ideophones are a class of sound symbolic words expressing human sensation that are used as literary devices in many African languages. (Source: Philip Noss)

cardinal directions

According to Anne Garber Kompaoré (in Le Sycomore 3/2009, p. 34ff. ), there are 4 ways to identify cardinal directions:

1. celestial bodies, especially the sun and certain stars
2. geographical landmarks, for example a mountain, sea, or river (depending on its position or the direction in which the water flows) etc.
3. climatic phenomena, such as the wind and the direction from which rain comes
4. bodily reference points, especially front, back, left, and right, in relation to celestial bodies or geographical landmarks

Following are examples of how these are practically implemented by various languages: (click or tap here to see the rest of this insight)

Celestial Bodies

East and west are often translated by the rising and the setting of the sun (note that the origin of English and other Indo-European languages is “dawn” for “east” and “evening” [i.e. sun-down] for “west”):

  • Maan: “where the sun comes up” and “where the sun goes down” (source: Don Slager)
  • Kankanaey: “from the coming-out of the sun “and “going-away of the sun” (source: Kankanaey back-translation)
  • Northern Emberá: “from where the sun comes up” and “from where the sun falls” (source: Charles Mortensen)
  • Ejamat “the side where the sun comes from” and “the side where it sets” (source: David Frank in this blog post )
  • Tzeltal: “where the sun pours-out” (west) (source: Reiling / Swellengrebel)
  • Mono (DRC): “of-hole-sun” (west)
  • Belanda Bor: “place morning” and “place evening”
  • Shambala: “side sink sun” (south)
  • Northern Ngbandi: “the sun behind the chief’s house” (east — the chief lives traditionally at the eastern side of the village, therefore he does not get the sunlight into his eyes) and “under the sun” (west)
  • Northwestern Dinka: “earth behind” (east — the place behind the earth, i.e. the area where the sun rises)
  • Bari: “Morning Star” / “Venus” (east)
  • Chopi: “sky” (north) (source for this and six above: Angelika Mietzner and Helma Pasch in Skase Journal of Theoretical Linguistics 4, 3/2007 )

Geographical Landmarks

  • Kele: “down-river” (west) (source: Reiling / Swellengrebel)
  • Jula: “salt village” (north — because salt comes from the north, from the Sahara Desert) and “kola village” (south — since kola comes from the coastal region to the south) (source: Garber Kompaoré)
  • Matumbi: “toward the beach” (East) (the coast is in the eastern direction in Matumbi-speaking areas), “north” and “south” can be defined as above or below another place (Source: Pioneer Bible Translators, project-specific notes in Paratext)
  • Lamba: “to the Aushi country” (north) / kumausi and “to the Lenje country” (south) / kumalenje (source C. M. Doke in The Bible Translator 1958, p. 57ff. )
  • Acoli: “right” (of the local White Nile) (north) and “left” (of the White Nile) (south)
  • Zande: “interior (dry) land” (east); “place-inside-country” (north / south) — Zande, like a number of other languages, including Matengo and Hehe, traditionally only has three cardinal directions.
  • Belanda Bor: “lower place” (north) and “higher place” (south)
  • Turkana: “(up)stream” (north) and (down)stream (south)
  • Mono (DRC): “water place” (south) (source for this and five above: Mietzner / Pasch)

Climatic Phenomena

  • Shilluk: “opening westwind” (north) and “opening eastwind” (south)
  • Swahili used to have six directions. In reducing them to four, kusini and kaskazini which used to refer to south-west and north east respectively (the directions from where the two monsoons blow) have become the terms for “south” and north.” (source for this and one above: Mietzner / Pasch)

Bodily Reference Points

  • Nuer / Burun: “face” and “sun face” respectively (both: east)
  • Kalenjin: “eye sun” (east) (this and the one above indicate that the sun is “facing” the spectator from its position in the east:
  • Shilluk: doesn’t use a fixed position of the speaker, instead it has “eye sun morning” for east and “eye sun evening” for west
  • Mono (DRC): “foot-sun” (east — the start of the sun’s journey)
  • Burun: “sun leg” (west — the end of the sun’s journey)
  • Bari: “back” (north — when people are facing south, north is at their back) (source for this and above: Mietzner / Pasch)
  • Northern Emberá “the looking [left] hand” (north) and “the real [right] hand” (south) (source: Charles Mortensen)
  • Morelos Nahuatl: “from above” (north) and “from below” (south) (source: Viola Waterhouse in Notes on Translation August 1966, p. 86ff.)

When all four directions are mentioned, translators tend to avoid listing the four, sometimes verbose terms, and chose solutions like “all directions” (such as in Maan or Manya (source: Don Slager). Yakan has “from the four corners of the earth” (source: Yakan back-translation) and Western Bukidnon Manobo “from the four directions here on the earth” (source: Western Bukidnon Manobo back-translation).

The Hebrew text that gives instructions where to place items in the tabernacle with the help of cardinal directions (north and south) had to be approached in the Bambam translation specific to spacial concepts of that culture. Phil Campbell explains: “There are no words in Bambam for north and south. In Exodus 26:35, God instructs that the table is to be placed on the north side and the lamp on the south side inside the tabernacle. The team wants to use right and left to tell where the lamp and table are located. In many languages we would say that the table is on the right and the lampstand is on the left based on the view of someone entering the tabernacle. However, that is not how Bambam people view it. They view the placement of things and rooms in a building according to the orientation of someone standing inside the building facing the front of the building. So that means the table is on the left side and the lampstand is on the right side.”

See also people of the East and three facing north, three facing west, three facing south, and three facing east.

complete verse (Job 37:22)

Following are a number of back-translations as well as a sample translation for translators of Job 37:22:

  • Kupsabiny: “The light of God is seen in the North,
    so that when it is seen, it scares people.” (Source: Kupsabiny Back Translation)
  • Newari: “God comes like golden light from the north,
    and his glory causes us to fear him"” (Source: Newari Back Translation)
  • Hiligaynon: “Out of the north God comes-out shining like a gold and his brightness is awesome.” (Source: Hiligaynon Back Translation)
  • English: “God comes out of the north with a light that shines like gold;
    his glory causes us to be afraid.” (Source: Translation for Translators)

Translation commentary on Job 37:22

Out of the north comes golden splendor is literally “Out of the north comes gold.” To speak of the precious metal gold is irrelevant to the context. Therefore Revised Standard Version is no doubt correct in understanding “gold” as a description of a quality of God, and so translates golden splendor. Dhorme defends this and translates “rays of gold.” Good News Translation is similar with “golden glow.” New International Version is more explicit in reference to God: “Out of the north he comes in golden splendor.”

God is clothed with terrible majesty is literally “upon God awesome majesty.” Revised Standard Version has translated using a metaphor where there is no figure in the Hebrew; however, a figure may be implied. The sense may also be expressed as in Habel, “around ʾEloah the splendor is awesome.” Good News Translation makes the awe the experience of the imagined onlookers and translates “And the glory of God fills us with awe,” which is a satisfactory model for translating. Verse 22 may be expressed, for example, “From the north God comes bright as gold, and his glory (brightness) causes us to fear him” or “God comes from the north shining like gold, and his brilliance frightens all who see him.”

Quoted with permission from Reyburn, Wiliam. A Handbook on Job. (UBS Helps for Translators). New York: UBS, 1992. For this and other handbooks for translators see here .