In the instances where the Greek New Testament says Christos Iēsous (Χριστὸς Ἰησοῦς) rather than the more common Iēsous Christos and English translations typically translate as “Christ Jesus,” the Bokyi translation says Jisos Karâs or “Jesus Christ.”
“Bokyi is a rather small language in the Cross River State of Nigeria. In one Bokyi village named Bansan the oldest man’s name is Otu Obyi. There is another man in another Bokyi village named Obyi Otu. Even though these two men share the same names every Bokyi person knows that they are two different people because of the order in which their names are used.
“If you are a translator and your language uses this same method of naming people, you can not sometimes write Jesus Christ in your translation and sometimes write Christ Jesus, and still refer to the same person. It will refer to two different people. You should always write Jesus Christ or Christ Jesus, but not both. You will have to decide which order is the most natural in your language.”
The Greek that is typically translated as “will” in English is translated in Warao as obojona, a term that “includes the concepts of consciousness, will, attitude, attention and a few other miscellaneous notions.” (Source: Henry Osborn in The Bible Translator 1969, p. 74ff. .) See other occurrences of Obojona in the Warao New Testament.
In Mairasi, it is translated with “throat.” (Source: Enggavoter 2004)
The Greek term that means “one who is sent off” in its singular form and is usually transliterated as “apostle(s)” in English is (back-) translated in the following ways:
San Blas Kuna: “witnesses to God” (meaning “those who speak up and out for God” (source for this and all above: Bratcher / Nida, except Balanta-Kentohe: Rob Koops)
Mairasi: sasiri atatuemnev nesovnaa or “sent witnesses” (source: Enggavoter 2004)
Khmer: Christtout (“messenger representing Christ”) or when Jesus addresses them: Tout robas Preah Ang (“his messengers-representatives”) (source: Joseph Hong in The Bible Translator 1996, p. 233ff. )
Pwo Karen: “eyeballs” (i.e., “right-hand men”) (source: David Clark)
Chicahuaxtla Triqui: “one who goes about preaching the good word” (source for this and above: Waterhouse / Parrott in Notes on Translation October 1967, p. 1ff.)
Noongar: Moorta Ngany Waangki-Koorl or “People I (Jesus) Send” (source: Warda-Kwabba Luke-Ang)
Ayutla Mixtec: “those who bore the word of God’s mouth”
Chichimeca-Jonaz: “elders messengers” (source for this and above: Viola Waterhouse in Notes on Translation August 1966, p. 86ff.)
Yakan: “commissioned ones” (source: Yakan Back Translation) — note that Scot McKnight in the EnglishThe Second Testament (publ. 2023) translates it as commissioners
Tenango Otomi: “(Jesus’) representatives” (source: Tenango Otomi Back Translation)
Tsamakko: “ones-who-work-for-Christ” (source: Chris Pluger)
Scot McKnight (in The Second Testament, publ. 2023) translates it into English as commissioner.
In American Sign Language it is translated with a combination of the signs for “following” plus the sign for “authority” to differentiate it from disciple. (Source: Ruth Anna Spooner, Ron Lawer)
“apostles” in American Sign Language, source: Deaf Harbor
In Hungarian Sign Language it is translated with a sign that shows the shape of the beard, based on the common and general visual representation of the apostles. This sign differs from the sign for a beard as used in colloquial language. The sign of the apostle does not originate from a specific biblical verse, but rather from the cultural context and later ecclesiastical tradition. “Do not cut the hair at the sides of your head or clip off the edges of your beard.” Lev 19:27. In the biblical era, wearing a beard was the default social and religious norm among Jewish men. The Apostle Peter is generally depicted with a short, curly, white beard. The Apostle Paul appears with a longer, pointed beard. The Apostle John is an exception, as he was the youngest disciple. In iconography, he is often the only one painted without a beard (as a youth) to emphasize his purity and age (see for instance at Transfiguration (icon)). (Source: Jenjelvi Biblia and HSL Bible Translation Group)
The Greek that is transliterated as “Ephesus” in English is translated in Swiss-German Sign Language with a sign that depicts the large amphitheater in Ephesus (see Acts 19:29 and here ).
The Greek that is translated as “saint” in English is rendered into Highland Puebla Nahuatl as “one with a clean hearts,” into Northwestern Dinka as “one with a white hearts,” and into Western Kanjobal as “person of prayer.” (Source: Nida 1952, p. 146)
Chichewa “(person with a) white heart” since “white” is the word that is used in Chichewa for the translation of “holy.” (Source: Mawu a Mulungu mu Chichewa Chalero Back Translation)
All the letters by Paul start with the same expression in Wichí Lhamtés Güisnay with the same expression: Amtena ipuhfwas or “It has been time but now it is.”
Bill Mitchell (in Omanson 2001, p. 437) explains: “Languages have their own ways of marking different genres. When the Wichí of Argentina send a message by way of a third person it begins with a particular expression, which, if taken literally, would say: ‘it has been time but now it is.’ It may not communicate a whole lot in English, but it is indispensable in Wichí. In the Wichí New Testament the letters of Paul begin with this word.”
The term that is transliterated as “Paul” in English means “little.” (Source: Cornwall / Smith 1997 )
In American Sign Language it is translated with a sign that signifies the many letters he wrote. (Source: Ruth Anna Spooner, Ron Lawer)
“Paul” in American Sign Language, source: Deaf Harbor
In Spanish Sign Language it is translated with a sign depicting putting away a sword, referring to his conversion from a persecutor of Christians to a Christian leader. (Source: Steve Parkhurst)
In Hungarian Sign Language it is translated with a sign that is based on contemporary depictions and refers to the presumed baldness of the top of his head. The description originates from the 2nd-century apocryphal text titled Acts of Paul and Thecla , which represents the earliest and most detailed physical characterization of the apostle in Christian tradition (see also the icon below). (Source: Jenjelvi Biblia and HSL Bible Translation Group)
“Paul” in Hungarian Sign Language — note that only the first part refers to “Paul,” the second part refers to “apostle” (source )
Orthodox Icons are not drawings or creations of imagination. They are in fact writings of things not of this world. Icons can represent our Lord Jesus Christ, the Virgin Mary, and the Saints. They can also represent the Holy Trinity, Angels, the Heavenly hosts, and even events. Orthodox icons, unlike Western pictures, change the perspective and form of the image so that it is not naturalistic. This is done so that we can look beyond appearances of the world, and instead look to the spiritual truth of the holy person or event. (Source )
Down below you’ll see an ivory carving that is located in the Musée national du Moyen-âge in Paris from the Byzantine empire of the 6th or early 7th century:
The following is a contemporary stained glass window from the Messiah Episcopal Church in St. Paul, Minnesota by Peter Dohmen. Individual glass pieces were made in Germany in accordance with Dohmen’s design, using a technique first developed by Irish monks in the 9th and 10th centuries.
“This window is dedicated to St. Paul, the great apostle and missionary, for whom our city is named. At the top of the window is a ship which symbolizes the many missionary journeys of Paul — the Church is our ship, which carries us over the way of life. In the lower section we see Paul on the road to Damascus when he saw a great light and heard our Lord’s voice, which called him to discipleship.”
Stained glass is not just highly decorative, it’s a medium which has been used to express important religious messages for centuries. Literacy was not widespread in the medieval and Renaissance periods and the Church used stained glass and other artworks to teach the central beliefs of Christianity. In Gothic churches, the windows were filled with extensive narrative scenes in stained glass — like huge and colorful picture storybooks — in which worshipers could ‘read’ the stories of Christ and the saints and learn what was required for their religious salvation. (Source: Victoria and Albert Museum )
Click or tap here to see a short video clip about Paul (source: Bible Lands 2012)
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