flute

The musical instrument that is most often translated as “flute” or “pipe” in English is more or less universally used, so it’s typically translated directly with the applicable term.

Since its cultural significance is sometimes different it might be translated with a different instruments is some cases (see also below). When in Matthew 11:17 and Luke 7:32 the flute is mentioned as an instrument played at a wedding, the Chichewa (interconfessional translation, 1999) translates it as “we played the wedding drum for you” (source: Wendland 1987, p. 74), the Yakan and Kankanaey translations use “gongs” (source: Yakan and Kankanaey Back Translations), in Western Bukidnon Manobo “drumming” is used (source: Western Bukidnon Manobo Back Translation), and in Tagbanwa “stringed-instruments” (source: Tagbanwa Back Translation).

Or in Jeremiah 48:36 where the flute is used for mourning, Bassa uses “funeral drum” (source: Newman / Stine) or Hiligaynon, while using “flute,” makes the meaning explicit: “like a lonely music of a flute for the dead” (source: Hiligaynon Back Translation).

In the UBS Helps for Translators‘ Human-made Things in the Bible (original title: The Works of Their Hands: Man-made Things in the Bible) it says the following:

Description: The flute was a wind instrument consisting of a tube with a series of finger holes used to alter the tone. Some flutes were made of reed and could take several forms: the tube could be a cylinder or it could be more in the shape of a cone. There were instruments made of a single tube, while others had two tubes side by side. Often ancient double flutes or double pipes were arranged in a V-shape, with two separate reeds. One of these pipes had several holes while the other had only one hole and acted as a kind of drone, providing an unchanging tone to accompany the varying tones coming from the first pipe. Some pipes or flutes were made of other materials, such as wood, ivory, bone, or metal.

Usage: Sound was produced with the flute by blowing across an opening leading into a hole running inside the length of the instrument; in some cases the opening hole was in the end of the instrument while in others this hole was in the side of the instrument toward one end. With the reed pipe, on the other hand, a column of air was set in motion by blowing over a reed device, causing it to vibrate.

Translation: If there is no wind instrument available to translate “flute,” a different kind of wind instrument may be used.

The Hebrew word ‘ugav is usually understood to refer to a wind instrument. It is possible, however, that it is a generic term for “instrument” or even refers to a particular stringed instrument. In Job 21:12 and Job 30:31 it is identified as an instrument that expressed joy and contentment.

Psalms 5:1: The Hebrew word nchiloth appears only here in the Old Testament, and its meaning is uncertain. It may mean “wind instruments” in general or “flutes” in particular. Extra-biblical evidence indicates that it may have been an instrument played for funeral laments.

Matthew 9:23: Here NRSVue has “flute players”: According to Jewish tradition, even the poorest people were expected to have two flute players and a wailing woman for a funeral. In order to clarify the role of the flute players Good News Translation adds “for the funeral.” This information was immediately evident to a Jewish reader who was familiar with the funeral customs, but it will not be clear to other readers. Many cultures are familiar with the flute or other instruments that are played by blowing through a wooden tube. If no such instrument exists, then translators can say “those who played musical instruments for a funeral” or, as in Good News Translation, “musicians for the funeral.” See also flute players.

Men playing flutes (source: Louise Bass (c) British and Foreign Bible Society 1994)

Quoted with permission.

gentiles / nations

Click here to view graphically

The Hebrew, Aramaic, Greek, and Latin that is often translated as “gentiles” (or “nations”) in English is often translated as a “local equivalent of ‘foreigners,'” such as “the people of other lands” (Guerrero Amuzgo), “people of other towns” (Tzeltal), “people of other languages” (San Miguel El Grande Mixtec), “strange peoples” (Navajo) (this and above, see Bratcher / Nida), “outsiders” (Ekari), “people of foreign lands” (Kannada), “non-Jews” (North Alaskan Inupiatun), “people being-in-darkness” (a figurative expression for people lacking cultural or religious insight) (Toraja-Sa’dan) (source for this and three above Reiling / Swellengrebel), “from different places all people” (Martu Wangka) (source: Carl Gross).

Tzeltal translates it as “people in all different towns,” Chicahuaxtla Triqui as “the people who live all over the world,” Highland Totonac as “all the outsider people,” Sayula Popoluca as “(people) in every land” (source: Waterhouse / Parrott in Notes on Translation October 1967, p. 1ff.), Chichimeca-Jonaz as “foreign people who are not Jews,” Sierra de Juárez Zapotec as “people of other nations” (source of this and one above: Viola Waterhouse in Notes on Translation August 1966, p. 86ff.), Highland Totonac as “outsider people” (source: Waterhouse / Parrott in Notes on Translation October 1967, p. 1ff.), Uma as “people who are not the descendants of Israel” (source: Uma Back Translation), and Yakan as “the other tribes” (source: Yakan Back Translation).

In Chichewa, it is translated with mitundu or “races.” (Source: Mawu a Mulungu mu Chichewa Chalero Back Translation)

See also nations.

joy

Click here to view graphically

The Greek, Latin and Hebrew that is translated with “joy” or “gladness” in English is translated with various strategies:

  • Baoulé: “a song in the stomach” (see also peace (inner peace))
  • Bambara: “the spirit is made sweet”
  • Kpelle: “sweet heart”
  • Tzeltal: “the good taste of one’s heart”
  • Uduk: “good to the stomach”
  • Mískito: “the liver is wide open” (“happily letting the pleasures flooding in upon it”) (source for this and above: Nida 1952)
  • Mairasi: “good liver” (source: Enggavoter 2004)
  • Noongar: koort-kwabba-djil or “heart very good” (source: Warda-Kwabba Luke-Ang)
  • Chicahuaxtla Triqui: “refreshed heart” (source: Waterhouse / Parrott in Notes on Translation October 1967, p. 1ff.).

See also Seat of the Mind for traditional views of “ways of knowing, thinking, and feeling,” happiness / joy, and exceeding joy.

Jerusalem

The name that is transliterated as “Jerusalem” in English is signed in French Sign Language with a sign that depicts worshiping at the Western Wall in Jerusalem:


“Jerusalem” in French Sign Language (source: La Bible en langue des signes française )

While a similar sign is also used in British Sign Language, another, more neutral sign that combines the sign “J” and the signs for “place” is used as well. (Source: Anna Smith)


“Jerusalem” in British Sign Language (source: Christian BSL, used with permission)

Learn more on Bible Odyssey: Jerusalem .

sanctuary

The Hebrew, Greek and Latin that is translated as “sanctuary” in English is translated in the Contemporary Chichewa translation (2002/2016) with opatulika or “separated place.” This is understood in a religious setup as a place designated for worship. (Source: Mawu a Mulungu mu Chichewa Chalero Back Translation)

Translation commentary on 1 Maccabees 3:45

At this point the author inserts a few lines of poetry as a kind of commentary on the situation. Imagine seeing a film of this story. We have seen the men come together in their camp and heard their sturdy resolve to fight on. Now the camera zooms slowly out and we see the whole camp and the surrounding landscape. A voice off-camera now reads these lines, giving the audience an insight into the situation from outside the scene of action.

Jerusalem was uninhabited like a wilderness may be expressed as “Jerusalem was like an empty desert.” For wilderness see 1Macc 2.29.

Not one of her children went in or out may be rendered “Jews did not go to the city and those who were there did not leave” or “No Jews entered the city or left it.”

The sanctuary was trampled down: This is metaphorical. The Temple was still standing. It had not been destroyed, but it had been profaned, so that as far as observant Jews were concerned, it was as good as destroyed. So we may say “Gentiles [or, Foreigners] walked all over the [grounds of the] Temple.”

And the sons of aliens held the citadel; it was a lodging place for the Gentiles: Sons of aliens may be expressed as “foreigners” or “Gentiles.” The verb held is supplied by Revised Standard Version; it may be rendered “were in.” For the citadel, see the comments on 1Macc 1.33. Lodging place refers to a type of inn in the ancient world that had an enclosed area or courtyard in which travelers and their animals could stay for the night. It is not clear, however, whether the lodging place is the citadel, the Temple itself, or even Jerusalem. Good News Bible has combined these two lines, which works well if the citadel is the lodging place. We prefer to think that the lodging place is the Temple, so we offer the following model for lines 3-5:

• Gentiles walked all over the grounds of the Temple;
they used it as a place to live,
and guarded it from the fort they built there [or, overlooking it].

Joy was taken from Jacob: Jacob refers to Israel, the Jewish people (see the comments on verse 7). This line may be rendered “There was no joy in Israel,” “Israel was left with nothing but sorrow,” or even “All the people of Israel were sad.”

The flute and the harp ceased to play: The flute is a long, thin, hollow musical instrument. The sound is produced by blowing into or over a hole at one end; the tune is made by fingering holes along its length. It can be made from hollowed wood, a reed, or a bone. Many cultures have instruments similar to the flute, and translators should not have great difficulty finding a suitable term. The harp is a stringed instrument; the musician plucks the strings by hand. Some cultures may have several stringed instruments of various sizes; a small one with several strings should be used. Good News Bible renders this line as “and the sound of music was heard no more,” which is permissible, if not colorful. We could say “flutes and harps were silent” or “and no one made music.”

This ends the short poem. An alternative model for this verse using a poetic structure is:

• Jerusalem was like an empty desert.
No Jews entered it [the city] or left it.
Gentiles walked all over the grounds of the Temple;
they used it as a place to stay,
and guarded it from the fort they built there [or, overlooking it].
All the people of Israel were sad,
and no one made music.

Quoted with permission from Bullard, Roger A. and Hatton, Howard A. A Handbook on 1-2 Maccabees. (UBS Helps for Translators). New York: UBS, 2011. For this and other handbooks for translators see here.