The word play in the Hebrew original between “shaqed” (translated in most English versions as “almond tree”) of Jeremiah 1:11 and “shoqed” (translated in most English versions as “watching”) in Jeremiah 1:12 is reproduced in the German Good News translation (Die Bibel im heutigen Deutsch) of 1982 with Wacholderzweig (“juniper branch”) and wache (“watch”). Accompanying the translation is a note, indicating that the literal translation would be Mandelbaum (“almond tree”), which they point out is the first to bloom in the spring, giving the appearance not to have slept. Then they explain that just as Hebrew has a play on words between “shaqed” and “shoqed,” so also they have made a play on words between Wacholder and wachen in their translation.
Das Wortspiel im hebräischen Oiginal zwischen "shaqed" (zu deutsch "Mandelbaum") in Jer. 1.11 und "shoqed" (zu deutsch "sehen", "schauen") in Jer 1.12 wird von der Die Bibel im heutigen Deutsch von 1982 mit "Wacholderzweig" and "wache" nachgebildet. Die Übersetzung wird von folgender Fußnote begleitet: "Der Mandelbaum blüht im Frühjahr als erster und scheint im Winter sozusagen gar nicht 'geschlafen' zu haben." Dann wird erklärt, dass das hebräische Wortspiel dem deutschen Wortspiel zwischen "Wacholder" und "wachen" Vorbild war.
The Hebrew in Jeremiah 10:5 that is translated as “scarecrow” in English is translated in Bassa in Liberia as “a stick that a person decorates with clothes and sets in a farm.”
The Hebrew in Jeremiah 4:3 that is translated as “break up your fallow ground” in some English versions is translated as “prepare your hard hearts like a person prepares a garden spot” in Bassa.
The musical instrument that is most often translated as “flute” or “pipe” in English is more or less universally used, so it’s typically translated directly with the applicable term.
Since its cultural significance is sometimes different it might be translated with a different instruments is some cases (see also below). When in Matthew 11:17 and Luke 7:32 the flute is mentioned as an instrument played at a wedding, the Chichewa (interconfessional translation, 1999) translates it as “we played the wedding drum for you” (source: Wendland 1987, p. 74), the Yakan and Kankanaey translations use “gongs” (source: Yakan and Kankanaey Back Translations), in Western Bukidnon Manobo “drumming” is used (source: Western Bukidnon Manobo Back Translation), and in Tagbanwa “stringed-instruments” (source: Tagbanwa Back Translation).
Or in Jeremiah 48:36 where the flute is used for mourning, Bassa uses “funeral drum” (source: Newman / Stine) or Hiligaynon, while using “flute,” makes the meaning explicit: “like a lonely music of a flute for the dead” (source: Hiligaynon Back Translation).
Description: The flute was a wind instrument consisting of a tube with a series of finger holes used to alter the tone. Some flutes were made of reed and could take several forms: the tube could be a cylinder or it could be more in the shape of a cone. There were instruments made of a single tube, while others had two tubes side by side. Often ancient double flutes or double pipes were arranged in a V-shape, with two separate reeds. One of these pipes had several holes while the other had only one hole and acted as a kind of drone, providing an unchanging tone to accompany the varying tones coming from the first pipe. Some pipes or flutes were made of other materials, such as wood, ivory, bone, or metal.
Usage: Sound was produced with the flute by blowing across an opening leading into a hole running inside the length of the instrument; in some cases the opening hole was in the end of the instrument while in others this hole was in the side of the instrument toward one end. With the reed pipe, on the other hand, a column of air was set in motion by blowing over a reed device, causing it to vibrate.
Translation: If there is no wind instrument available to translate “flute,” a different kind of wind instrument may be used.
The Hebrew word ‘ugav is usually understood to refer to a wind instrument. It is possible, however, that it is a generic term for “instrument” or even refers to a particular stringed instrument. In Job 21:12 and Job 30:31 it is identified as an instrument that expressed joy and contentment.
Psalms 5:1: The Hebrew word nchiloth appears only here in the Old Testament, and its meaning is uncertain. It may mean “wind instruments” in general or “flutes” in particular. Extra-biblical evidence indicates that it may have been an instrument played for funeral laments.
Matthew 9:23: Here New Revised Standard Version, updated edition has “flute players”: According to Jewish tradition, even the poorest people were expected to have two flute players and a wailing woman for a funeral. In order to clarify the role of the flute players Good News Translation adds “for the funeral.” This information was immediately evident to a Jewish reader who was familiar with the funeral customs, but it will not be clear to other readers. Many cultures are familiar with the flute or other instruments that are played by blowing through a wooden tube. If no such instrument exists, then translators can say “those who played musical instruments for a funeral” or, as in Good News Translation, “musicians for the funeral.” See also flute players.
Men playing flutes (source: Louise Bass (c) British and Foreign Bible Society 1994)
Precepts: Often rendered “commands” (New American Bible) or “instructions” (Revised English Bible), this noun is derived from the verb rendered commanded.
Quoted with permission from Newman, Barclay M. and Stine, Philip C. A Handbook on Jeremiah. (UBS Helps for Translators). New York: UBS, 2003. For this and other handbooks for translators see here .
Servants is not household servants, as the term may suggest, but “officials” (Good News Translation), since they had played a big part in Jehoiakim’s fatal decision. See verse 24.
For iniquity see “guilt” in 2.22.
Bring upon … all the evil: See 4.6.
Men of Judah is a general reference meaning “people of Judah.”
But they would not hear: In Revised Standard Version this clause seems to hang without much connection to what is before it. It expresses the reason for the LORD’s destruction on the people of Judah. New American Bible renders “[all the threats of evil] which went unheeded” and Revised English Bible “[all the disasters with which I threatened them,] for they turned a deaf ear to me.” Good News Translation reverses the order, placing the causative expression first: “Neither you nor the people of Jerusalem and of Judah have paid any attention to my warnings, and so I will bring on all of you the disaster that I have threatened.”
Quoted with permission from Newman, Barclay M. and Stine, Philip C. A Handbook on Jeremiah. (UBS Helps for Translators). New York: UBS, 2003. For this and other handbooks for translators see here .
Then the king commanded Ebed-melech, the Ethiopian: One of the basic problems of a formal rendering, such as Revised Standard Version, is that it pays little regard to the total discourse structure. For example, there is absolutely no need for readers to further identify Ebedmelech as the Ethiopian. Translators should be constantly aware of what readers and hearers expect within their own language.
Three is in most versions, but the standard Hebrew text has “thirty,” which is the recommendation of Hebrew Old Testament Text Project and is followed by New Jerusalem Bible, New International Version, and Bible en français courant.
With you is literally “in your hand.” However, even the most literal translations attempt to improve here.
Jeremiah the prophet: Once again, in view of the total discourse, it is unnecessary to identify Jeremiah as the prophet.
Quoted with permission from Newman, Barclay M. and Stine, Philip C. A Handbook on Jeremiah. (UBS Helps for Translators). New York: UBS, 2003. For this and other handbooks for translators see here .
