The word play in the Hebrew original between “shaqed” (translated in most English versions as “almond tree”) of Jeremiah 1:11 and “shoqed” (translated in most English versions as “watching”) in Jeremiah 1:12 is reproduced in the German Good News translation (Die Bibel im heutigen Deutsch) of 1982 with Wacholderzweig (“juniper branch”) and wache (“watch”). Accompanying the translation is a note, indicating that the literal translation would be Mandelbaum (“almond tree”), which they point out is the first to bloom in the spring, giving the appearance not to have slept. Then they explain that just as Hebrew has a play on words between “shaqed” and “shoqed,” so also they have made a play on words between Wacholder and wachen in their translation.
Das Wortspiel im hebräischen Oiginal zwischen "shaqed" (zu deutsch "Mandelbaum") in Jer. 1.11 und "shoqed" (zu deutsch "sehen", "schauen") in Jer 1.12 wird von der Die Bibel im heutigen Deutsch von 1982 mit "Wacholderzweig" and "wache" nachgebildet. Die Übersetzung wird von folgender Fußnote begleitet: "Der Mandelbaum blüht im Frühjahr als erster und scheint im Winter sozusagen gar nicht 'geschlafen' zu haben." Dann wird erklärt, dass das hebräische Wortspiel dem deutschen Wortspiel zwischen "Wacholder" und "wachen" Vorbild war.
The Hebrew in Jeremiah 10:5 that is translated as “scarecrow” in English is translated in Bassa in Liberia as “a stick that a person decorates with clothes and sets in a farm.”
The Hebrew in Jeremiah 4:3 that is translated as “break up your fallow ground” in some English versions is translated as “prepare your hard hearts like a person prepares a garden spot” in Bassa.
The musical instrument that is most often translated as “flute” or “pipe” in English is more or less universally used, so it’s typically translated directly with the applicable term.
Since its cultural significance is sometimes different it might be translated with a different instruments is some cases (see also below). When in Matthew 11:17 and Luke 7:32 the flute is mentioned as an instrument played at a wedding, the Chichewa (interconfessional translation, 1999) translates it as “we played the wedding drum for you” (source: Wendland 1987, p. 74), the Yakan and Kankanaey translations use “gongs” (source: Yakan and Kankanaey Back Translations), in Western Bukidnon Manobo “drumming” is used (source: Western Bukidnon Manobo Back Translation), and in Tagbanwa “stringed-instruments” (source: Tagbanwa Back Translation).
Or in Jeremiah 48:36 where the flute is used for mourning, Bassa uses “funeral drum” (source: Newman / Stine) or Hiligaynon, while using “flute,” makes the meaning explicit: “like a lonely music of a flute for the dead” (source: Hiligaynon Back Translation).
Description: The flute was a wind instrument consisting of a tube with a series of finger holes used to alter the tone. Some flutes were made of reed and could take several forms: the tube could be a cylinder or it could be more in the shape of a cone. There were instruments made of a single tube, while others had two tubes side by side. Often ancient double flutes or double pipes were arranged in a V-shape, with two separate reeds. One of these pipes had several holes while the other had only one hole and acted as a kind of drone, providing an unchanging tone to accompany the varying tones coming from the first pipe. Some pipes or flutes were made of other materials, such as wood, ivory, bone, or metal.
Usage: Sound was produced with the flute by blowing across an opening leading into a hole running inside the length of the instrument; in some cases the opening hole was in the end of the instrument while in others this hole was in the side of the instrument toward one end. With the reed pipe, on the other hand, a column of air was set in motion by blowing over a reed device, causing it to vibrate.
Translation: If there is no wind instrument available to translate “flute,” a different kind of wind instrument may be used.
The Hebrew word ‘ugav is usually understood to refer to a wind instrument. It is possible, however, that it is a generic term for “instrument” or even refers to a particular stringed instrument. In Job 21:12 and Job 30:31 it is identified as an instrument that expressed joy and contentment.
Psalms 5:1: The Hebrew word nchiloth appears only here in the Old Testament, and its meaning is uncertain. It may mean “wind instruments” in general or “flutes” in particular. Extra-biblical evidence indicates that it may have been an instrument played for funeral laments.
Matthew 9:23: Here New Revised Standard Version, updated edition has “flute players”: According to Jewish tradition, even the poorest people were expected to have two flute players and a wailing woman for a funeral. In order to clarify the role of the flute players Good News Translation adds “for the funeral.” This information was immediately evident to a Jewish reader who was familiar with the funeral customs, but it will not be clear to other readers. Many cultures are familiar with the flute or other instruments that are played by blowing through a wooden tube. If no such instrument exists, then translators can say “those who played musical instruments for a funeral” or, as in Good News Translation, “musicians for the funeral.” See also flute players.
Men playing flutes (source: Louise Bass (c) British and Foreign Bible Society 1994)
You shall not do this thing: This is an order, “Don’t do it!”
You are speaking falsely of Ishmael: Good News Translation renders this as “What you are saying about Ishmael is not true!” New Revised Standard Version has “you are telling a lie about Ishmael.”
Quoted with permission from Newman, Barclay M. and Stine, Philip C. A Handbook on Jeremiah. (UBS Helps for Translators). New York: UBS, 2003. For this and other handbooks for translators see here .
All the men should be rendered inclusively as “Everyone” or “All the people.”
Who set their faces: See verse 15.
Sword … famine … pestilence: See 14.12.
Remnant (see verse 2 and 6.9) is used in the same sense as survivor, and so the two Hebrew nouns may be translated by one noun in many languages. Good News Translation retains two expressions, shifting from noun constructions to verb constructions: “Not one of them will survive, not one will escape.”
For evil with the sense of “disaster” or “destruction,” see 1.14.
Quoted with permission from Newman, Barclay M. and Stine, Philip C. A Handbook on Jeremiah. (UBS Helps for Translators). New York: UBS, 2003. For this and other handbooks for translators see here .
Verse 14 largely restates what is in verse 12. However, in place of the positive expressions there, “they shall fall” and “they shall die,” here the verbs are negative, none … shall escape or survive or return.
Except some fugitives: This shows quite clearly that when Hebrew uses terms such as none or “all,” they are not always absolute in their meaning. But some is clearly meant to be just a small number, “a few” (Good News Translation, New International Version, New Jerusalem Bible). Good News Translation renders fugitives as “refugees.” Translators should use a word or expression in their language that refers to those who have fled and escaped.
Good News Translation and a number of other common language translations introduce a new sentence with verse 14; for example, Die Bibel im heutigen Deutsch has:
• No one will escape or survive. No one will return to Judah even though they want to go and live there again. Only a few will escape and return there.
Quoted with permission from Newman, Barclay M. and Stine, Philip C. A Handbook on Jeremiah. (UBS Helps for Translators). New York: UBS, 2003. For this and other handbooks for translators see here .
