The Hebrew, Ge’ez, and Greek that is typically translated in English as “hardened” or “stubborn” is translated in the HausaCommon Language Bible idiomatically as taurin kai or “tough head.”
Other languages spoken in Nigeria translate similarly: Abua uses oḅom ẹmhu or “strong head,” Bura-Pabirkəra ɓəɓal or “hard head,” Gokanaagẹ̀ togó or “hard/strong head,” Igedeegbeju-ọngịrị or “hard head,” Deragɨddɨng koi or “strong head,” Resheɾiʃitə ɾigbaŋgba or “strong head,” and in Chadian Arabicraas gawi (رَاسْكُو قَوِي) or “hard head” (source: Andy Warren-Rothlin)
Other translation approaches include Western Bukidnon Manobo with “breath is very hard” (source: Western Bukidnon Manobo Back Translation) or Ixil with “callous heart” (source: Holzhausen / Riderer 2010, p. 40).
The Greek that is translated in English as “beat his breast” or similar is translated in Kasem as “clapped his hands.” To beat one’s breast is considered to be a sign of arrogance and pride. To express regret people clap their hands. (Source: Urs Niggli in Holzhausen / Riderer 2010, p. 16)
Similarly in Bafut (in Luke 23:48): “If we translated the image, ‘beating their breasts’ literally, it would give a wrong meaning. ‘Beating their breasts/chests’ translates in Bafut as ‘ŋ̀kwɛɛ nɨ̂ mɨnt ̀ɨɨ̀ myaa.’ This means they were proud of what they had done. Another consideration is that literally translating ‘beating their breasts’ will mean that it was the women beating their breasts, not men, since, in Bafut, men are perceived as not having breasts. In order to bring out the right meaning using a culturally relevant image, we rendered this as ‘ŋ̀wɛtə mbô myaa,’ and this means ‘crossed their arms’ (under the chin, so the palms rested on the shoulders), which is a sign of mourning in the culture. So in order to explain the symbolic action, the translation added the implicit information, ‘nloŋ mə mɨntɨɨ̀ myaa lɛ nluu nɨ̂ àjəŋnə̀‘ which means, ‘because their hearts were full with sorrow.'” (Source: Michael Suh Niba in Vila-Chã / Hu 2022, p. 233ff.)
In Yaweyuha it is expressed more explicitly as “feeling great sorrow, repeatedly beating their chests” (source: Larson 1998, p. 98) and likewise on Chokwe as “beat his breast for sorrow” (“beat one’s breast” is the equivalent of the English “pat oneself on the back”) (source: D. B. Long in The Bible Translator 1952, p. 87ff. ).
Fuyug houses are built with poles which cannot be put into rock, so in this passage the Fuyug translation for the term that is “rock” in English becomes “firm ground” and “sand” becomes “soft ground.” (Source: David Clark)
Likewise, and for the same reason, the wise man builds his house in Manam on “firm ground” as well. (Source: Blaine Turner in Holzhausen 1991, p. 47)
Since speakers of Karakalpak do indeed build their houses on sand, the translators had to find a slightly different solution to not imply that the Karakalpaks themselves are foolish. They ended up choosing shege qum, the term for loose yellow sand along river banks, since this indeed is a kind of sand Karakalpaks would not build their houses on. (Source: Holzhausen / Riderer 2010, p. 57)
The Greek in Luke 9:62 that is translated as “no one who puts his hand to the plow and looks back (is fit for the kingdom of God)” in English is translated in Sa’a as “Whoever at all who works in his garden, but just thinks indiscriminately about other things, then he is not fit for the Kingdom of God.” Carl Gross explains: “In a society in which plowing is unknown, it is not possible to have a farmer setting his hand to the plow, let alone looking back once he had started. [The chosen translation] would even make sense to western urban dwellers who have never seen a plow.”
In Bislama “plow” is translated as stia blong bot, “steering paddle” or “rudder.” The whole verse is translated as “A person who holds the rudder but keeps looking back cannot enter the kingdom of God” (source: Ross McKerras). The translation in Mussau-Emira is likewise (see this blog entry ).
In Toposa it is translated as “No one aiming at an animal looks to the side when throwing the spear.” Plowing is not known in that culture and this communicated the meaning well. (Source: Martin and Helga Schröder in Holzhausen / Riderer 2010, p. 58f.)
The translation of the two Greek phrases “Can you drink the cup I drink?” and “Can you be baptized with the baptism I am baptized with?” im Mark 10:38 demanded a particularly difficult decision in the translation into Avaric. “We are faced with two metaphors, for which literal translation is impossible, since the expressions “drink the cup” and “be immersed in water, be washed” are, for the Avaric, in no way connected with the idea of suffering and death.
Nevertheless there is an equivalent for the first metaphor; in the Avaric language there is an idiomatic expression “to drink from the horn of death,” which is identical to the idea of the Gospels’ “cup”. For the second metaphor the translator used a less obvious equivalent: “to cross the river” (‘or baxine), an expression which can express “to experience hardship, suffering” and at the same time contains the idea of immersion in water. (Source: Magomed-Kamil Gimbatov and Yakov Testelets in The Bible Translator 1996, p. 434ff. )
Likewise, there also is an expression in Southern Toussian that fits this context exactly. “You can’t drink from my cup” means “you can’t bear as much suffering as I can.” (Source: Hannes Wiesmann in Holzhausen / Riderer 2010, p. 35)
In Michoacán Nahuatl this section is translated as “because of me you will suffer as I suffer, and because of me you will die.” (Source: B. Moore / G. Turner in Notes on Translation 1967, p. 1ff.)
The Greek that is translated as “Follow me” in English is translated as “Be my disciple” in Ojitlán Chinantec and “Don’t forsake me” in Tenango Otomi (the latter is used in John 21). (Source: M. Larson / B. Moore in Notes on Translation February 1970, p. 1-125.)
In Kaingang it is translated as “run with me and do as I do.” (Source Ursula Wiesemann in Holzhausen / Riderer 2010, p. 65).
The Greek that is translated into English as “crucify” is translated in various ways:
Naro: xgàu or “to stretch” (as is done with a skin after slaughtering in order to dry it. The word is also widely accepted in the churches.) (Source: Gerrit van Steenbergen)
Yatzachi Zapotec: “fasten him to the cross” (source for this and two above: M. Larson / B. Moore in Notes on Translation February 1970, p. 1-125)
Noongar: “kill on a tree” (source: Warda-Kwabba Luke-Ang)
Apali: “nail to a tree piece put cross-wise, lift up to stand upright (for the crucified person) to die (and in some contexts: “to die and rise again”)” (source: Martha Wade)
In British Sign Language it is signed with a sign that signifies “nails hammered into hands” and “arms stretched out.” (Source: Anna Smith)
“Crucify” or “crucifixion” in British Sign Language (source: Christian BSL, used with permission)
Following is a painting by Wang Suda 王肅達 (1910-1963):
Housed by Société des Auxiliaires des Missions Collection – Whitworth University
(click image to enlarge)
Image taken from Chinese Christian Posters . For more information on the “Ars Sacra Pekinensis” school of art, see this article , for other artworks of that school in TIPs, see here.
Click or tap here to see a short video clip showing how crucifixion was done in biblical times (source: Bible Lands 2012)
The Greek that is translated in English as “brotherly love” (also: “mutual love” and others) is translated in Waama as “love each other as children of the same mother.” Like many languages, Waama has no generic term for “brother” and sister, just “older brother” or “younger brother.” At first, “love each other as children of the same father” seemed to fit but since the Waama live in a polygamous society, brothers of the same father with different mothers often don’t get along unlike maternal siblings. (Source: Kathrin Pope in Holzhausen / Riderer 2010, p. 54)
In the German New Testament translation by Berger / Nord (publ. 1999) it is translated with geschwisterliche Liebe or “love between siblings.”
In Romans 12:10 the Protestant Mandarin ChineseUnion Version and the Catholic Sigao version translate this with a historical Chinese idiom: huíxīn zhuǎnyì (相親相愛 / 相亲相爱) or “close and loving.” (Source: Toshikazu S. Foley in Hong Kong Journal of Catholic Studies, 2011, p. 45ff.)
